The same problem with #crafts and #art. Not long ago someone wrote an article about #scam #fake lacemaker books: 404media.co/bobbin-tatting-lac… When it comes to tutorials, #LLM images become a pest destroying beginners' self esteem. The only good news: it doesn't kill.
And Bezos, Zuckerberg & Co are complicit, because they want to sell their AI. @writers @Remittancegirl
“Unfortunately, for newcomers who might be excited to dive into this hobby, they could get burned by the inadequate books—and frankly the thievery—of the work of our cherished lacemakers and designers."
Here's another article by @brianmerchant : bloodinthemachine.com/p/openai… "AI giants are indeed eating away at the livelihoods and dignity of working artists, and this devouring, appropriating, and automation of the production of art, of culture, at a scale truly never seen before, should not be underestimated as a menace"
33 likes, 6 comments - jupiem on March 26, 2025: "Valere from sea of stars 🌌
Not quite finished it yet but I love this game!
#artistsoninstagram #seaofstars #fanart #art".
‘Gasse mit Torbogen’ was created by Gabriele Munter in Abstract Art style. Find more prominent pieces of cityscape at Wikiart.org – best visual art database.
Vaso de porcelana de Makuzu Kōzan (1842–1916) con forma de cueva helada con dos osos polares. Kōzan tenía su taller en Yokohama, que era uno de los principales puertos con conexión con occidente. 🏛️Khalili #arte #art
Lidded Vase, anonymous, c. 1700 There were many porcelain connoisseurs in Europe during the 17th and 18th centuries. Monarchs as well as wealthy individuals assembled huge collections. August the Strong, Elector of Saxony and King of Poland, was the greatest collector. He filled entire palaces with porcelain. He had the pieces marked on their bases with incised numbers and symbols. These two large vases came from his collection.
Unsui (Mirror) by Sanford Biggers, Desert X 2025, Coachella Valley, California
Sanford Biggers is a multimedia artist whose practice encompasses painting, sculpture, video, photography, music, and performance. As an artistic intermediary, he disrupts established narratives, weaving U.S. history into broader global frameworks. By remixing cultural symbols and intervening in historical forms, he complicates collective mythologies and reimagines traditions. His work reflects personal experiences, from his early engagement with graffiti art in Los Angeles to his time living in Japan, shaping his ability to bridge disparate cultural and historical contexts.
Unsui (Mirror) features two towering sequin sculptures set against the expansive desert sky. Clouds, a recurring motif in Biggers’ work, symbolize freedom, boundlessness, and interconnection. Drawing on Biggers’ study of Buddhism, these clouds — or unsui (“clouds and water” in Japanese) — embody unencumbered movement. Shimmering in the desert light, they evoke a feeling of timelessness
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Unsui (Mirror) by Sanford Biggers, Desert X 2025, Coachella Valley, California
Sanford Biggers is a multimedia artist whose practice encompasses painting, sculpture, video, photography, music, and performance. As an artistic intermediary, he disrupts established narratives, weaving U.S. history into broader global frameworks. By remixing cultural symbols and intervening in historical forms, he complicates collective mythologies and reimagines traditions. His work reflects personal experiences, from his early engagement with graffiti art in Los Angeles to his time living in Japan, shaping his ability to bridge disparate cultural and historical contexts.
Unsui (Mirror) features two towering sequin sculptures set against the expansive desert sky. Clouds, a recurring motif in Biggers’ work, symbolize freedom, boundlessness, and interconnection. Drawing on Biggers’ study of Buddhism, these clouds — or unsui (“clouds and water” in Japanese) — embody unencumbered movement. Shimmering in the desert light, they evoke a feeling of timelessness and transcendence.
Desert X is produced by The Desert Biennial, a not-for-profit organization founded in California, conceived to produce recurring international contemporary art exhibitions that activate desert locations through site-specific installations by acclaime…
Unsui (Mirror) by Sanford Biggers, Desert X 2025, Coachella Valley, California
Sanford Biggers is a multimedia artist whose practice encompasses painting, sculpture, video, photography, music, and performance. As an artistic intermediary, he disrupts established narratives, weaving U.S. history into broader global frameworks. By remixing cultural symbols and intervening in historical forms, he complicates collective mythologies and reimagines traditions. His work reflects personal experiences, from his early engagement with graffiti art in Los Angeles to his time living in Japan, shaping his ability to bridge disparate cultural and historical contexts.
Unsui (Mirror) features two towering sequin sculptures set against the expansive desert sky. Clouds, a recurring motif in Biggers’ work, symbolize freedom, boundlessness, and interconnection. Drawing on Biggers’ study of Buddhism, these clouds — or unsui (“clouds and water” in Japanese) — embody unencumbered movement. Shimmering in the desert light, they evoke a feeling of timelessness and transcendence.
Desert X is produced by The Desert Biennial, a not-for-profit organization founded in California, conceived to produce recurring international contemporary art exhibitions that activate desert locations through site-specific installations by acclaime…
Vintage Botanical Prints – 55 in a series – Rhododendrum hirsutum = Rosage velu. (1801) from Traité des arbres et arbustes que l’on cultive en France en pleine terre
