Wir müssen raus aus den amerikanischen #Clouds. Dieses Interview soll aufrütteln. @bert_hubert kann Dinge witzig, anschaulich und metaphorisch auf den Punkt bringen.
Ah ja die Emails unseres Bundesparlaments sind auch in #Microsoft Rechenzentren der Schweiz gehostet. Nur spielt der Standort eben keine grosse Rolle, wie Hubert ausführt.
Denkt dran: Elon will alle Daten für sein KI-Modell. Auch die von uns.
Unsui (Mirror) by Sanford Biggers, Desert X 2025, Coachella Valley, California
Sanford Biggers is a multimedia artist whose practice encompasses painting, sculpture, video, photography, music, and performance. As an artistic intermediary, he disrupts established narratives, weaving U.S. history into broader global frameworks. By remixing cultural symbols and intervening in historical forms, he complicates collective mythologies and reimagines traditions. His work reflects personal experiences, from his early engagement with graffiti art in Los Angeles to his time living in Japan, shaping his ability to bridge disparate cultural and historical contexts.
Unsui (Mirror) features two towering sequin sculptures set against the expansive desert sky. Clouds, a recurring motif in Biggers’ work, symbolize freedom, boundlessness, and interconnection. Drawing on Biggers’ study of Buddhism, these clouds — or unsui (“clouds and water” in Japanese) — embody unencumbered movement. Shimmering in the desert light, they evoke a feeling of timelessness
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Unsui (Mirror) by Sanford Biggers, Desert X 2025, Coachella Valley, California
Sanford Biggers is a multimedia artist whose practice encompasses painting, sculpture, video, photography, music, and performance. As an artistic intermediary, he disrupts established narratives, weaving U.S. history into broader global frameworks. By remixing cultural symbols and intervening in historical forms, he complicates collective mythologies and reimagines traditions. His work reflects personal experiences, from his early engagement with graffiti art in Los Angeles to his time living in Japan, shaping his ability to bridge disparate cultural and historical contexts.
Unsui (Mirror) features two towering sequin sculptures set against the expansive desert sky. Clouds, a recurring motif in Biggers’ work, symbolize freedom, boundlessness, and interconnection. Drawing on Biggers’ study of Buddhism, these clouds — or unsui (“clouds and water” in Japanese) — embody unencumbered movement. Shimmering in the desert light, they evoke a feeling of timelessness and transcendence.
Desert X is produced by The Desert Biennial, a not-for-profit organization founded in California, conceived to produce recurring international contemporary art exhibitions that activate desert locations through site-specific installations by acclaime…
Unsui (Mirror) by Sanford Biggers, Desert X 2025, Coachella Valley, California
Sanford Biggers is a multimedia artist whose practice encompasses painting, sculpture, video, photography, music, and performance. As an artistic intermediary, he disrupts established narratives, weaving U.S. history into broader global frameworks. By remixing cultural symbols and intervening in historical forms, he complicates collective mythologies and reimagines traditions. His work reflects personal experiences, from his early engagement with graffiti art in Los Angeles to his time living in Japan, shaping his ability to bridge disparate cultural and historical contexts.
Unsui (Mirror) features two towering sequin sculptures set against the expansive desert sky. Clouds, a recurring motif in Biggers’ work, symbolize freedom, boundlessness, and interconnection. Drawing on Biggers’ study of Buddhism, these clouds — or unsui (“clouds and water” in Japanese) — embody unencumbered movement. Shimmering in the desert light, they evoke a feeling of timelessness and transcendence.
Desert X is produced by The Desert Biennial, a not-for-profit organization founded in California, conceived to produce recurring international contemporary art exhibitions that activate desert locations through site-specific installations by acclaime…
Desert View, Desert X 2025, Coachella Valley, California
Desert X is produced by The Desert Biennial, a not-for-profit 501(c)(3) charitable organization founded in California, conceived to produce recurring international contemporary art exhibitions that activate desert locations through site-specific installations by acclaimed international artists. Its guiding purposes and principles include presenting public exhibitions of art that respond meaningfully to the conditions of desert locations, the environment and Indigenous communities; promoting cultural exchange and education programs that foster dialogue and understanding among cultures and communities about shared artistic, historical, and societal issues; and providing an accessible platform for artists from around the world to address ecological, cultural, spiritual, and other existential themes.
Desert View, Desert X 2025, Coachella Valley, California
Desert X is produced by The Desert Biennial, a not-for-profit 501(c)(3) charitable organization founded in California, conceived to produce recurring international contemporary art exhibitions that activate desert locations through site-specific installations by acclaimed international artists. Its guiding purposes and principles include presenting public exhibitions of art that respond meaningfully to the conditions of desert locations, the environment and Indigenous communities; promoting cultural exchange and education programs that foster dialogue and understanding among cultures and communities about shared artistic, historical, and societal issues; and providing an accessible platform for artists from around the world to address ecological, cultural, spiritual, and other existential themes.
